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DIRECTOR Emma Frankland DIRECTOR Emma Frankland

Galatea

Photograph: Two Black performers stand in the middle of a big empty room with atmospheric white and blue lighting. They are both looking defiantly at the camera, one of them facing directly towards the camera and the other facing away.

“I like well and allow it” - Venus

Act V, Sc III


I have been working closely with this play for a while now and am excited to announce a full production coming soon in 2023! 

“Galatea is the story of a town that has been cursed.

They have forgotten how to love.

And the monster is coming…”

This will be the first professional revival of the play which inspired Shakespeare to write As You Like It and A Midsummer Night's Dream. Last performed in front of Queen Elizabeth I, five hundred years ago, this tale of love, joy and the importance of welcoming outsiders is an incredibly resonant story for our modern times.

 

HISTORICAL  SIGNIFICANCE

John Lyly was the most famous writer of Shakespeare’s lifetime, but is now Shakespeare’s only playwriting colleague never to have been professionally revived. Galatea had a particularly powerful effect over Shakespeare: it is the first Elizabethan comedy about cross-dressing, getting lost in a wood and falling in love with someone whose identity you do not fully understand!

LOCAL ENGAGEMENT

There will be multiple ways for local people to participate in the production, including a community choir who will be embedded in the show as well as local community groups who will act as volunteer performing stewards. This will be a once in a lifetime opportunity that will not only be fun, but will introduce West Sussex and Adur residents to other performers and company members from different backgrounds. We will engage a range of local traders and food and drink suppliers in the creation of the production site, which is designed to resemble a village fayre.

‘Galatea’ by John Lyly, is an extraordinary 16th century play from the period before Shakespeare began writing. Over the past few years, in close collaboration with Andy Kesson and his Before Shakespeare project, I have led several periods of research & development, working with a diverse group of artists and performers to mount scenes and rehearse the text, gaining a closer understanding of a play that is not only extremely feminist and queer positive, but also contains a trans narrative 


Venus: Then shall it be seen that I can turn one of them to be a man, and that I will. 

Diana: Is it possible?

Venus: What is, to the Goddess of Love, unpossible? (5.3) 


The more time I have spent with Galatea, the more I have discovered what it contains about gender fluidity and trans identities in this period The importance of these discoveries must not be understated. As LGBTQ people our histories are often erased or confounded to fit the narrative of a cis-normative, patriarchal society. The presence of such a high profile story as Galatea, a play well known and performed in front of Elizabeth I, should radically alter our attitude towards queer identity today.

WORKSHOP

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DIRECTOR Emma Frankland DIRECTOR Emma Frankland

Republica

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“You know when you wait years to see a show and then you do and it is fireworks and bonfires, furious and loving and sorrowful and piercing and fierce, and beyond anything you spent all that time anticipating? Republica is that show. loved it." 

maddy costa


In a fusion of anarchic theatre and dance, a flamenco dancer, a guitarist and a stripper reclaim the forgotten history of events preceding the Spanish Civil War.

With the rise in opposition between anti-austerity and far-right movements all over Europe and the UK, REPUBLICA is a timely examination of the last time a government dared to take power from the super-rich to distribute it equally amongst its people.

Made in collaboration with Keir Cooper, Carlos Otero and Lola Ruerda.

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DRAMATURG, DIRECTOR Emma Frankland DRAMATURG, DIRECTOR Emma Frankland

Cuncrete

Cuncrete is an act of deceptively sophisticated insurrection against the Man - in every sense. From the buildings the Man builds, to the language the Man uses, to the music the Man plays. It is also weepingly funny and dark and deadly. Of all the shows I saw in Edinburgh in 2016, it stands out as knowing what it’s about. And it’s about now. And it’s about time. 

- Tim Crouch

A drag king punk gig about architecture and idealism!

A dysto-utopian noise about The Man!

A no-wave musical about how we ended up in this mess!

 

Hosted by washed up architect/proto-god figure Archibald Tactful and accompanied by anti-virtuoso punk band The Great White Males - Cuncrete is a gratuitously sleazy and joyfully noisy critique of alpha-masculinity and the built environment. Expect original music, grotesque posturing, sharp suits and cement.

 

“An exhilaratingly bleak swansong for the grey, hard dreams of powerful men." ★★★★

The Stage

“Politically vital... somewhere between a howl of rage and a rallying cry."

Exeunt

 

Created by Rachael Clerke, I worked closely as Dramaturg throughout the creation of this fantastic show.

https://www.rachaelclerke.com/Cuncrete

 

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